ABOUT

 

Gregory Groover JR 

Raised with devotion for music, Gregory George Groover Jr. is a twenty-four year old tenor saxophonist from the Greater-Boston area. His love and pursuit of music directed him to the Boston Arts Academy where he graduated in 2011 as both the Elma Lewis Graduate with distinction and the Louis Armstrong Jazz award recipient. His effort and dedication to music led him to earn a full tuition scholarship to Berklee College of Music where he received both his Bachelors and Masters in Music Performance Studies through the Global Jazz Institute, headed by world-renowned artistic director, pianist, and UNESCO Artist for Peace Danilo Perez.

As a performer, Gregory has had the honor to share the stage with prestigious musicians such as Philip Bailey (Earth, Wind, and Fire), Patrice Rushen, Terri Lyne Carrington, Danilo Perez, John Patitucci, Brian Blade, and Esperanza Spalding. As a bandleader and a sideman, he has performed in music festivals in the United States, Latin America, Europe, and Africa.

Currently, Gregory serves as an educator at his alma mater the Boston Arts Academy where he provides instruction in Jazz studies to the next generation of artists and scholars. In addition to teaching, Gregory continues to perform regularly with his working quartet and trio and is earnestly working towards the release of his first EP the Negro Spiritual Songbook Volume I.   

 


About the Songbook

Negro Spirituals are at the bedrock of the African American musical experience, providing the foundation upon which many genres that are enjoyed now were built. Although the composers of these spirituals are largely anonymous and nameless, their music named the non-anonymous tragedy of slavery, while also naming a steadfast hope for a better tomorrow -- maybe not for them, but for the future generation. The Negro Spiritual Songbook Volume I is a product of that hope from the future generation. It takes the words, melodies, and rhythms of that time and translates it into our current context of the twenty-first century. The result is a soulful celebration of what was, a dynamic presentation of what is, and a warm invitation for what is to come.

The passion for this project emanated from the transformative effect Negro Spirituals have had on my life both personally and professionally as a musician. The lyrics and harmonies instilled a deep sense of pride for the music of my heritage, helping me to have a better understanding of the jazz music I love to play. Therefore, this project was accomplished through thorough examination of original scores, deep analyses of historical elements, and honest adaptations of arrangements. The hope is that through touring The Negro Spiritual Songbook Volume I at non-conventional jazz venues, such as churches, colleges, and museums, the performances will not only be enjoyable but educational -- helping to bridge the gap across the many divides of society.